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In turn, I was dazzled by the scenes shot inside Morpheus’ hovercraft the Nebuchadnezzar, in which the vessel’s surroundings — its buzzing, electrical core and its assortment of monitors — are fleshed out around the screen.

Wearing sunglasses and a heavy leather trenchcoat, Fishburne showed off his action movie chops as the enigmatic operative Morpheus in the original film and the first two sequels.

The high quality of his work from that period is apparent on such classic recordings as Parker’s “Anthropology,” Miles Davis’ “Morpheus” and Bud Powell’s “Bouncing With Bud.”

There’s just simply nothing to hook into aside from Fishburne’s performance, which is the only captivating element of the film, and even that is derivative of his iconic Morpheus from “The Matrix.”

Morpheus will allow commanders to view and direct their forces on the battlefield and for their vehicles to communicate with each other.