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Following up 2020's Doom: Eternal, The Dark Ages plunges player character the Doom Slayer into a Medieval hellscape filled with demonic enemies and an arsenal of frankly ridiculous weapons.

The attack on Jackson, for example, is something that’s possible because TV is not locked into the perspective of the player character.

Marucci also provides data relating to player character traits and how efficiently they process and react to what they see on the field.

That kind of good feelings brain jolt is priceless and hard to come by, especially in a culture of game design that seems to delight in having the player character voice what you need to do immediately as you register something needs to be done.

This kind of grief and growth isn’t limited to the player character but your companions as well.