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The first half of the film finds our riffraff joining forces to escape Valentina’s death trap; the second is a parable about mental illness where the metaphors take command over the plot.

He has some friends — acquaintances, really — whom he hates, mentally labeling them “the riffraff, the vulgarians, the slobs.”

She associated Georgia’s capital city with “crime” and “riffraff,” similar to how Trump once disparaged Atlanta as “crime infested” and “falling apart.”

Just before the riots he had also responded to a rowdy reception committee in one banlieue by calling them racaille - riffraff.

Indeed, this “savage,” as Shakespeare took pains to note in his complicated depiction of Caliban, is a good deal more civilized than the drunken riffraff with whom he falls into cahoots.