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This meditative adagio is the work’s longest movement, and Olafsson stretched its darkling arabesques to more than 10 minutes.

Whatever happens in this trial, it will happen at a pace that makes an adagio tempo feel like an all-out sprint.

It takes a few tries, but the adagio comes.

Zelenskyy then spoke briefly with the families, as a small orchestra played a mournful adagio.

The mournful molto adagio seemed to stretch time as the ensemble coalesced into rich, golden chords, with Setzer tracing graceful lines around them.