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Sometimes it's subtle, sometimes it's tub-thumping agitpop.

As music, it is onerous agitpop — an egregious case of bothsidesism.

Even that U.S.O. show dream sequence — in which the characters rematerialized as grotesque versions of their daytime selves — felt like so much agitpop.

But there’s another piece of foul-mouthed agitpop that offers a closer model: Britain’s Christmas 2009 chart-topper, “Killing in the Name.”

On the agitpop single “Formation,” Beyoncé shouts out her “Momma Louisiana.”