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The dandies and dauphins of the 1 percent prance to 59E59 Theaters for Happenstance Theater’s “Barococo,” A satire of upper-class privilege zhuzhed up into an often absurd comedy of manners, “Barococo” has fun and laughs, but doesn’t always have the glamour you’d expect from this exaggerated snapshot of genteel life.

So the surprise of “Barococo” is how it actually resembles Sartre’s “No Exit,” or, more fittingly, Luis Buñuel’s surrealist film “The Exterminating Angel,” which was recently adapted into an opera.

There is plenty of delicious humor to chew on at “Barococo.”

She layered draped jersey camisoles with Medusa-decorated straps over undone shirts over skinny knits over lace-trimmed slips in barococo print, and mixed them up with fun furs; paired plaid tweed and black leather harness tops and lace tights.

The fifth Fringe Curated show is “Barococo” from D.C.’s genial movement company Happenstance Theatre.