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ED: Let’s talk about the opening shots of “Bonjour Tristesse.”

I always said to everyone involved in the film, “I don’t want this to just be the contemporary version of ‘Bonjour Tristesse.’”

I’ve definitely accumulated more vintage T-shirts since shooting “Bonjour,” but I also feel like there’s a quality to Cécile’s costume design that reminds me of myself at a younger age, like a slightly sporty edge to it.

Lily literally still wears black Repetto flats, the same that she wears in many scenes in “Bonjour.”

One of the things that struck me while watching “Bonjour Tristesse,” written and directed by the celebrated author Durga Chew-Bose, was a feeling of being — and I don’t know how else to put it — tenderly haunted.