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And psychoanalyze all the movies on a Freudian level.

To Didion’s Freudian analyst, the mother-daughter dynamic was everything, and the book suggests that the mother fell short.

It’s Freudian in a way that will make some people queasy.

There’s no room for subtlety, but the Freudian monster she creates hits her fiendishly funny marks.

Then he had his interim period, then he got into the Freudian stuff, “Vertigo,” “Marnie,” “The Birds,” etc.