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At the end of the day, everybody drinks the same Kool-Aid.

“A layperson may look at a 0.5 percent label and say, Wow, that’s like putting a Kool-Aid packet into a swimming pool, and I’m being ripped off,” she says, when “in actuality that could be, for that peptide, an efficacious level.”

Instead, the company is fast-tracking a soulless brand-based cash grab: a Kool-Aid movie.

Over the course of the plot, Matt, a cinephile, convinces the “Goodfellas” director to helm a movie based on Kool-Aid — except in Scorsese’s version, the brand is just a way to talk about the Jonestown massacre.

“Getting Martin Scorsese to do the Kool-Aid movie would be the happiest day of your life, objectively, and then firing him would be the worst day of your life. But you wouldn’t feel that about everybody.”