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She said that she was worried that people would think she was an "evil mother" or a "murderess."

In this eerie, rather primitive context, its easy to surmise that the murderess is a witch.

Moore plays Ann Woodward, a possible murderess whose story Capote tells here at a dinner table early in the first episode and which makes up a sizable chunk of “La Côte Basque.”

As far as Roxie is concerned, murderesses row isn’t much different from tryouts in the sticks.

This week’s theme is “strong independent females,” featuring a novel about a madwoman and a true-crime account of a mob murderess.