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The saddest of operas, “Ainadamar” is not a tragic opera, not an opera of open-and-shut endings, but one of open-ended endings.

This is not an open-and-shut case despite how many people would like to believe it is.

Sounds like an open-and-shut case, but German director Ilker Çatak argues that the rules of integrity are as flimsy as the rules of surviving a horror flick.

As such, it would seem to be close to an open-and-shut case: If you want a healthy night's sleep, stay away from electronic devices in the period before you go to bed.

So, this would appear to be an open-and-shut case.