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Rather than musically reproduce street sounds and people sounds, Chin transforms them into spectacular orchestral chatter.

It’s amazing because they were a great orchestral band.

Aimard played the tiny piano fourth and seventh “Notations” with rapt attention on tiny details, while Salonen saw to it that the orchestral explosions contained multitudes of colors within controlled chaos.

Alumni are now busy reinventing American orchestral life.

Over nine minutes and six seconds it achieves Caligulan levels of excess, full of scorching guitar solos, throat-shredding vocal runs, and even an orchestral coda.