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So she started rerecording and rereleasing them on her own, creating an outside-the-box plan that didn't involve them.

“All of the Harkonnen language is made up, and Martin Kwok, who was our supervising dialogue editor, went to town with that. They shot crowds doing different chants, so it became very authentic,” says rerecording mixer Ron Bartlett.

“The other thing, when he walks out he’s like a rock star, so we pulled the crowds back and allowed the score to really walk him out,” notes rerecording mixer Doug Hemphill.

She’s been rerecording those albums and releasing them under her “Taylor’s Version” banner to be able to own a version of her music again.

In a doleful irony, his digital rerecording of the piece, taken at a more stately tempo and with other changes, would be the last Gould album released by Columbia before his untimely death at age 50 in 1982.