51Թ

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staccato

[stuh-kah-toh]

adjective

  1. shortened and detached when played or sung.

    staccato notes.

  2. characterized by performance in which the notes are abruptly disconnected.

    a staccato style of playing.

  3. composed of or characterized by abruptly disconnected elements; disjointed.

    rapid-fire, staccato speech.



adverb

  1. in a staccato manner.

noun

plural

staccatos, staccati 
  1. performance in a staccato manner.

  2. a staccato passage.

staccato

/ əˈɑːəʊ /

adjective

  1. music (of notes) short, clipped, and separate

  2. characterized by short abrupt sounds, as in speech

    a staccato command

“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

adverb

  1. (esp used as a musical direction) in a staccato manner

“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

staccato

  1. A direction in music meaning that the notes should be performed in an abrupt, sharp, clear-cut manner.

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The term staccato has been applied generally to things that occur in rapid bursts, such as gunfire.
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51Թ History and Origins

Origin of staccato1

1715–25; < Italian: disconnected, past participle of staccare (derivative of stacca pole < Gothic, but taken as a variant of distaccare to detach )
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51Թ History and Origins

Origin of staccato1

C18: from Italian, from staccare to detach, shortened from distaccare
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Example Sentences

Examples have not been reviewed.

The hours of darkness were once again punctuated by the staccato of air defence guns, buzz of drones and large explosions.

From

The band emerged in a flicker of static and staccato strings, accompanied by a lone saxophone, before breaking into Happiness.

From

How England survive his staccato approach and educated fingers will go a long way to deciding the series.

From

Chase and Ibarra may, for instance, begin a dialogue as nervous chit-chat with staccato flute interjections with drummed responses that soon turn to broad expressions of wonder.

From

Tilson Thomas beat out those three emphatic staccato orchestral chords — Let!

From

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